INNER MONOLOGUE FULL

We have covered all the bases of using inner monologues. That’s when a line or two coming internally would really stand out. The moments when steaks are at their highest. It’s the “Oh shit” moments or the “fight or flight” moments. And the dialogue is best given at the height of the conflict. When Should You Use The Interior Monologue?Įven though it’s inside someone’s head it’s still dialogue. This way you can separate the exposition throughout more characters if you count the voice inside your character’s head as a character itself. Inner monologuing gives a writer another way of spitting out exposition. Which is relatable to most people.Įxposition is something all writers struggle with. You can show how situations make them feel on the inside. Having your character monologue is a great way to show their point of view or POV. What is adding to the character that I can’t show anywhere else? Think to yourself how does display an inner monologue good for the character. So if not done right it could be the reason a reader didn’t pass your script along to the producer.īoth examples of the inner dialogue given above show character in a way that works well for the story. When you break the fourth wall it’s extremely hard for directors to get the audience back into the story once the allusion is revealed. Because you are addressing the audience only. Your screenplay can turn into a weather forecast giving the audience everything they need to know before any of it happens.Įvery use of the Interior monologue is breaking the fourth wall. This is why the two examples shown above have the interior monologue function as part of the show and not something the writer threw in to get a point across.ĭavid Mamet a teacher of screenplays tells us that narration can kill a script faster than anything. When you use inner Monologue you run the mistake of adding more than is necessary making for a boring script.

The rule is meant to force writers to write visually. One of the most important rules in screenwriting is to show don’t tell. Not every script needs this.ġ.) Actions speak louder than words (Show don’t Tell) Now let’s go into detail on the pros and cons of using this technique for your next script. Why you should or shouldn’t use interior Monologue There isn’t a question whether this is something everyone in the world can hear or only the audience. One thing you can see from the two examples above is the inner voice is clearly defined formatting-wise.

INNER MONOLOGUE FULL

Throughout the series sometimes the main character Frank would be in a room full of people and even then the only people who hear this version of him is us. This version is still an inner monologue because only we the audience can hear it. This example in House of Cards doesn’t feel like a new character but instead Feels like a different side of the same person. And when things get tough, this is what you should do.The formating here comes from what we are used to seeing in novels but it works all the same. Things go wrong - in life and in love and in business and in friendship and in health. Remember, whatever discipline you’re in, whether you’re a musician or a photographer, a fine artist or a cartoonist, a writer, a dancer, a singer, a designer - whatever you do, you have one thing that’s unique: You have the ability to make art.

Inner monologue